My practice explores medium-specificity, concepts of existential rationale and cognitive distortions. Recently, it has dealt with themes of discipline, routine and ritual, and of failure and success. The process involves painting abstract and figurative content upon both conventional and non-conventional surfaces. The resulting image is then redacted, with particular elements and objects often being blotted out or left vacant, emphasizing mark-making as an act of cognizance.

Building: 101 - Studio: 1420
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